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It’s a very unique show, in that way, and it’s a testament to our writing staff and the cast, that we can move in and out of different worlds, every week. How do you go about deciding which episodes you’ll direct? And then, once we have a concept and a story, because I usually write the ones I direct as well, I do generally try to marginalize Shawn, as much as I can, and put the focus on the other actors, which is twofold. It’s like getting the call to pinch-hit in the bottom of the ninth in the World Series. They’re so good at what they do, and they’re so great at keeping the show on the ground and making Dulé and I look good that it’s great for the producers and the writing staff to say, “We’re doing a Juliet (Maggie Lawson) episode and you’re going to work with William Shatner,” or “We’re doing The Shining and Tim, you’re going to get to do your best [Jack] Nicholson.” They light up like Christmas trees. It’s also got a lot of Woody the coroner (Kurt Fuller) in it, which is always fun for me. Now that you know that you’ll have a Season 7, are you already trying to line up things you want to do and see if you can get certain guest stars? The writers are all back and we go into production in April, so we’re starting to break stories and call around and check on dates for people.